Friday, 2 March 2012

Inside The Jo-Jo Jefferson Ice Cream Factory


Crash and Burn ready for action

Drugged by a mysterious ice cream vendor, Crash and Burn awake to find themselves trapped in the Jefferson Jo-Jo Ice Cream Company Warehouse.

The duo then find themselves pitted against Gaspar Gonzales and his gang of deranged thugs.

Meeting Gaspar Gonzales
In order to bring life to the location that was used for the factory, the Jefferson Jo Jo brand was plastered over countless boxes (as everyone knows, the best place to store ice cream is at room temperature after all!)

Using simple dressing like this meant that the set could be set up and packed away quickly and easily.  Space was tight in the location and this allowed for a swift move should furnishings need to be rearranged. 


Ben's original sketch of Thomas Jefferson

Ben drew up a picture of Thomas Jefferson and coloured it, ready to be made into packing labels.

As every good historian knows, Jefferson had an abnormally large head - in fact it was so large that three men had to be employed to ensure bats didn't nest in his earlobes.

The finished Jefferson Jo-Jo label (Note the Grand Union flag)

Crash and Burn on set

Many other labels were featured as well, some with obscure references to Thomas Jefferson's life.


Box detail
Yummy!


Sadly beyond focus

But what does it mean?


Wise words

Pistachio!
 Also adorning the walls were several work related graphs, all of which made very little sense altogether.



All in all, the Jefferson Jo-Jo was a fun set, bursting with detail and fit for Crash and Burn's escape From Gaspar Gonzales devious plans!

Thursday, 23 February 2012

Case Files, Crosswords and Corpses


"Well it says in your report, 'He was hit in the face with some thing, some kinda weird thing, that blew his face clean off'"

Its the little things that count, and often the most fun, enjoyable props are the ones you take for granted when watching a no-budget comedy set in 70s America. They are the un-sung heroes, pivotal "plot" devices, hilarious set-dressing, and quite often invaluable to an extra who doesn't have any lines, but would like to look busy and  have something to hold on to.

Case file cover

Miscellaneous contents


The PCPD case filing system was designed quite early on so that when shooting fragments from different episodes, there would always be the correct case file on hand, filled with correct and appropriate contents. Most of which would never actually be seen on film.

Militia Malone's artistic rendering of a kumquat
And of course as different characters entered new stages of the investigation, more evidence would be added.

The crossword clue from Doyle's living room

And when it came to building a full-sized, deliberately unrealistic corpse, no expense was spent. Many cardboard boxes were liberated, abused and hewn into a new and glorious form.



The highly detailed stand-in for Doyle would mean that the actor Alan Wadlan wouldn't have to spend many hours lying across a very uncomfortable brick hearth.

Confusion

Realisation

Ambition
Success!

Among the other props in Doyle's flat were photos of Crash and Burn, a vintage Radiogram, and a collection of photos of Doyle throughout his career.

Doyle's favourite LP, and a police camera

An official PCPD fingerprinting kit

Doyle's head fragments and photos of his career
Doyle's memoir of the time he punched Hitler to death




In every scene, there is a unique and unsual prop, or piece of set dressing, even the detritus that is needed to fill criminal dens, and sordid lairs are carefully crafted (often during the wee hours of the night) to be amusing and fit into the world of Patriot City.

Can you be the ultimate fan and spot them all?

More blogs coming soon...

Friday, 10 February 2012

Cop Killa's Drawings...

Cop Killa being brought in

"And this? This is my gun, making sweeeet red-love, all over your faces. Ker-Pow!"


In one of the scenes in Shields Of Justice, Cop Killa literally illustrates his intentions to Crash and Burn, drawing them a picture using one of CK's signature props - his own brand of Cop Killa crayons.

These crayons were one of several items in the film, where Cop Killa was running his own self-promoted franchise. Unfortunately a lot of the items didn't make the cut.

One prop that suffered this fate is CK's range of gum.

Template for the Killa Gum wrappers - you can make your own!

Although Cop Killa had gum wrappers in his pockets for the entire film, they never appeared on screen. The only mention of them is in CK's Cop Killing commercial.

Cop Killa's Crayons did however make it in!


Crayon wrapper detail
The real deal
CK's brand of crayons were one of many bizzare items that featured in the film.  Who knows - if it ever takes off, maybe we'll even licence them ourselves!

Jonty Depp as Cop Killa


Sunday, 5 February 2012

Sebastian E. Crash's Costume

Crash's distinctive look of all-American good guy was pieced together by layers of red white and blue.

While developing the character of Crash, Tom Hutchings looked to the performances of Adam West and William Shatner for inspiration. The result was a blue-eyed blend of broad smiles and ex-miltary heroism.

The first piece of Crash's costume to be sourced was his distinctive belt buckle, shaped to resemble the chamber of a five cylinder revolver, this was purchased very early in the production, while Crash's character was still being developed.

Crash's unique belt buckle and dog tags from his military service

This was only the first step however, in piecing together his look, early costume tests for both Crash and Burn proved that every detail was important and soon the high-realism props began to appear replacing the early toy and plastic ones used for tests.

A very 80s test with plastic props
A very 90s Costume test
An original 70 jacket was sourced, in red leather which would frame the final costume. Crash's jacket features broad lapels, removable lining and unique panneling and venting, an item fit for a supercop.

Front view of Crash's Jacket
Back view of Crash's Jacket






A pair of womens flared jeans were added to Crash's costume as they had the correct shape for mens jean of the era. It was  decided that Tom's long hair would need to be replaced with a haircut which was altogether more 70s.

The old long hair
Crash's 70s hairstyle



















Following the new, and wholly 70s hairstyle, a reproduction 70s shirt was sourced and his personal items were slowly assembled. One of the various accoutrements Crash carries is his wallet; filled with photos of himself with his old mentor Doyle O'Flennegan, and of his murdered wives, his wallet also contains his warrant card and numerous notes and small change.

Interior of Crash's Wallet
Crash's badge, and wedding rings

Alongside his Police Badge, Crash also wears the wedding ring of each of his four dead wives, who were visciously murdered by Scorpion Fandango, some of them more than once.

He also wears an original bianchi shoulder holster, for his 357 magnum. 

The final look was thus:

Crash's final costume


Crash's costume variant from "Hangman Dangle"


Crash has always been on the right side of the law, but after the murder of his first, second, third, and fourth wife, for the second time, he learned that sometimes its ok to bend the rules in the pursuit of justice.

Often charming and intense, Crash usually stays focused on defined goals, using his creative logic to solve mysteries or get himself out of tight spots, but likes to enjoy himself along the way.

For more information on the back story of Crash, visit:

Crash's Bio

Tuesday, 24 January 2012

Locations - Chief Rappappaport's Office

The Patriot City Police Department is headed by the might of Chief M. Rappapappaport - a gravelly, whiskey-swilling, Vietnam vet, whose uncompromising war on crime has led to the arrest of countless perps.

Chief Rappappaport

When scouting the location for the PCPD building, Tom and Ben knew that they had to find a room suitable for the Chief's Office
It had to fit in with 70's decor, but also give a kingly view of the PCPD. Luckily Kay house contained the perfect location - a room over-looking the main lobby though a wall of framed windows.

The view into the Chief's office from the lobby


Chief's desk as it was found on the scout

The Chief's desk where it was meant to be

One of the in-jokes throughout the film was to make Crash and Burn look as short as possible, by intentionally dwarfing them next to taller actors.

Duke Palmer, who played Rappappaport was given the biggest desk they could find and Crash and Burn were given the smallest chairs available to dwarf them.

Crash and Burn with Rappappaport - note temp stand-in police badge
Work then went into sourcing props for the desk. Items that were found included:
Countless golfing and snooker trophies, a selection of war medals, a vintage typewriter, letter rack - including letters with genuine Czechoslovakian Nazi commemorative stamps, fire arm certificates and fully equipped gun cleaning kit.


Some personal touches were a framed cover from 'Tempus' magazine and a photo of Rappappaport meeting his friend and hero, Richard Nixon, as well as an autographed baseball from Joe Dimaggio.

Ben, with the 'TEMPUS' cover and the Chief's Nixon photo
Ben enjoying some prop 'whiskey'

Tom making last minute script alterations on the Chief's trusty typewriter

The set with sound proofing 'flats' in place
The Chief, hiding beneath his mighty desk

All in all the Chief's office was one of the most authentic looking sets with a large amount of period props and features.

Rappapport on the VT (which stopped working in the middle of shooting)

Grubby glass and detail of lettering

Jonts and Tom with Duke on set

Kris Darby, Duke Palmer and Tom Hutchings having a break

View out onto lobby

Shooting the Chief and Militia Malone